| Charles Davidson: Profile | |||||||||||||
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UNIVERSAL COMMUNICATION FOR A UNIVERSAL CHALLENGE COMMUNICATION
DEFINITION Picture
putting a stamp on an envelope that travels the postal highway from the
Belgian Congo to Beverly Hills, from New York City to Nome Alaska. Over
oceans and continents, across boundaries and borders into homes and businesses,
institutions and government offices. Imagine that the message on your
stamp is a beneficial call to action with global dimensions and that message
has meaning wherever it travels. UNIVERSAL SYMBOLS: CONTEMPORARY and PRIMITIVE. |
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| The stamp face with bite die cut and written message (language of country of origin) | |||||||||||||
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The
back of the stamp with support information is brought intimately close
to the user of the stamp to moisten gum.
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| CONTEMPORARY- a circle with diagonal line through its center communicates STOP to people who have been schooled in its meaning. Contemporary symbols also involves profiles of familiar objects from a modern society; car, cigarette, bicycle... These familiar objects, for example a cigarette, seen in concert with a circle/diagonal line, communicate the universal message; STOP SMOKING. | |||||||||||||
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| PRIMITIVE symbols are also form oriented such as a crescent moon shape. Such symbols are understood universally and communicate through observation and experience. They can be emotional even inspirational as they may recall the nature or magnitude of the experience. They usually relate to natural forms: bear claw, sun, animal/plant life silouette, waves in water, human skull... Many primitive universal symbols and forms evolved into the first hieroglyph and petroglyph forms of picture communication and are understood through similar personal experiences in a modern society. | |||||||||||||
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For example the familiar form a bite shape in a piece of bread transcend time. APPLYING
A UNIVERSAL SYMBOL AND MESSAGE TO A UNIVERSAL MEDIUM... |
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| Note from Buck Minister Fuller praising Davidson's vision and presentation. | |||||||||||||